From Elephant and Castle to Southwark, from London Bridge to Westminster, Black History Walks takes you through the historic Black sites around the City of London, and with the companion guide, you'll get more in-depth history of the story of each place and how it links to Africa.

In this two-book guide, you'll get:
- Comprehensive coverage of historical places in London that have a relationship with Africa;
-How the most touristic attraction are actually hidden gems from Africa;
- Connect with places with African roots in this metropolis;
- Walking tours that can be self-walked or accompanied with the official Black History Walks tours;
- A companion guide to give you more in-depth history of the African relationship with London.

Commemorating the 70th anniversary of the arrival of the Empire Windrush, Stephen Bourne's War to Windrush explores the lives of Britain's immigrant community through the experiences of Black British women during the period spanning from the beginning of World War II to the arrival of the Empire Windrush in 1948.

In those short years, Black British women performed integral roles in keeping the country functioning and set the stage for the arrival of other black Britons on the MV Empire Windrush. The book shows first-hand what life was like in Britain for black women through photography and evocative prose.

War to Windrush retraces the history of those women who helped to build the great, multicultural Britain we know today. It is a celebration of multiculturalism and immigration, much needed in today's political climate.

On 24 May 1948, the Empire Windrush sailed from Kingston, Jamaica, to harbour at Tilbury Docks. It carried 1,027 passengers and some stowaways, and more than two thirds of them were West Indies nationals. On 22 June 1948 they disembarked onto the docks, Alford Dalrymple Gardner was among them. Alford's story traverses both the uplifting highs and intolerant lows that West Indian migrants of his generation encountered upon travelling to Britain to forge out a life. From joining the British military during World War II to returning to Jamaica once it was won-only to come back to the UK when the government decided it needed him again-Alford witnessed milestone events of the 20th century that shaped the country he still lives in today. In the context of a supposedly 'post-Imperial' Britain where the lives of West Indian migrants hang precariously on the whims of the Home Office, Alford's heartening testimony is a celebration of those who endured hardships so that generations to come could call this place home.

"So to the person that broke my heart in 2021 by way of a casual voice-note. Thank you."
Told from the perspective of some of the finest contemporary Black writers and thinkers, MANDEM is an ode to the moments in our pasts that shape us, and gratitude at being able to appreciate these lessons in the present.

In a beautiful blend of prose and lyricism, each essay sees its author tap into their most vulnerable place - engaging honestly in conversations often silently grappled with by Black British men because of socially enforced beliefs around Black masculinity.

The themes in this essay collection range from the importance of male role-models, and the unique relationship between mother and son to the sexual pressure placed on young heterosexual men, while also asking the question: "what does contemporary Black queerness actually look like?"

Edited by award-winning artist Iggy London and featuring essays from Yomi Sode, Jeffrey Boakye, Christian Adofo, Ashley Hickson-Lovence, Athian Akec, Dipo Faloyin, Okechukwu Nzelu, Phil Samba, Sope Soetan, and Jordan Stephens, MANDEM is an unmissable, thoughtful anthology of Black male expression.

Evelyn Dove embraced the worlds of jazz, musical theatre and, most importantly, cabaret, in a career spanning five decades from the 1920s through to the 1960s. A black British diva with movie star looks, she captivated audiences and admirers around the world, enjoying the same appeal as the 'Forces Sweetheart' Vera Lynn throughout the Second World War.

Refusing to be constrained by her race or middle-class West African and English backgrounds, she would perform for infamous Russian leader, Joseph Stalin; become a regular vocalist for the BBC and a celebrated performer across continental Europe, India and the US.

At the height of her fame in the 1930s, she worked with the pioneers of black British theatre, replacing Josephine Baker as the star attraction in a revue at the Casino de Paris and scandalizing her family by appearing on stage semi-nude.

This is a celebration of an extraordinary career punctuated with vertiginous highs and profound lows, and places Dove in historical context with artists of her time, such as Adelaide Hall, Dame Cleo Laine and Dame Shirley Bassey.