Are We Home Yet?

Illuminating her inner journey growing up mixed-race in Britain, Esua Jane Goldsmith's unique memoir exposes the isolation and ambiguities that often come with being 'an only'.

Raised in 1950s South London and Norfolk with a white, working-class family, Esua's education in racial politics was immediate and personal. From Britain and Scandinavia to Italy and Tanzania, she tackled inequality wherever she saw it, establishing an inspiring legacy in the Women's lib and Black Power movements. Plagued by questions of her heritage and the inability to locate all pieces of herself, she embarks on a journey to Ghana to find the father who may have the answers.

A tale of love, comradeship, and identity crises, Esua's rise to the first Black woman president of Leicester University Students' Union and Queen Mother of her village, is inspiring, honest, and full of heart.

In her captivating memoir Through the Leopard's Gaze, Njambi McGrath details the harrowing circumstances of her life as a young girl in Kenya, who one fateful night was beaten to a pulp and left for dead. Thirteen-year-old Njambi, fearing her assailant would return to finish her, courageously escaped, walking through the night in the Kenyan countryside, risking wild animals, robbers and murderers, before being picked up by two shabbily dressed but safe men. She buries the memories of that fateful day and night, and years later ends up in London with a British husband and children. Then one day a simple unassuming wedding invitation arrives in her mailbox causing her to have to confront the remnants of a past she had thought was behind her.

This is a book about survival, and courage when all else fails. It's a searingly honest examination of human cruelty and strength in equal measure.

WINNER of the James Tait Black Prize 2021 and The Republic of Consciousness Prize 2021.

As seen in Document Journal, Guardian and The White Review

Lush and frothy, incisive and witty, Shola von Reinhold's decadent queer literary debut immerses readers in the pursuit of aesthetics and beauty, while interrogating the removal and obscurement of Black figures from history.

Solitary Mathilda has long been enamored with the 'Bright Young Things' of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists' residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists' residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?

From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda's journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

Jack and Toni, childhood schoolmates living in the Solomon Islands, set out on a routine boat trip to a neighboring island. Things go awry when they discover, due to an oversight by Toni, that they do not have enough fuel to make the journey and are stranded at sea. Optimistic at first that they will soon be rescued, they slowly begin to realize, as the first day draws to an end, that they are in serious jeopardy with no end but their own demise in sight.

Based on a true story as the days lengthen at sea, we are gifted with a vision of the beauty of the Solomon Islands and the environmental debt they are owed by the world after decades of overfishing, logging and now rising sea levels due to global warming.

At the heart, this is a crucial and important novel on climate change, culture and human relations.

A reimagining of Shakespeare with a Caribbean twist!

Garrick takes Shakespeares's soliloquys and monologues and incorporates Jamaican Patois to make them relevant for a new age and audience. Inventive and engrossing, this collection is imperative and complimentary when teaching the canon.