Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.

"Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people. A dystopian world that is all too real and that has much to say about our own." Kirkus Reviews

16-year-old Fola Oduwole is scared. She's scared of disappointing her parents, she's scared of not being able to follow her dreams, but most of all she's scared for her brother. He has cancer and his surgery's coming up soon, it could leave him paralysed, or worse. Fola deserves a break, and she gets her wish when she takes the Victoria line one stop too far and is transported to Folkshore, a magical, hidden part of London.

Now she's scared of the talking animals, the mythical Shriekers and not being there when her brother wakes up. Fola wants to go back, but a thunderstorm destroys Folkshore station. As she looks for another way out, Fola stumbles on the local Assembly's nefarious plans. She realises that the only way back to her brother is to help her new friends as they resist the pugnacious police pigs and the authoritarian assembly.

If she fails, the community she's come to love could be destroyed forever and she may never find her way home.

Longlisted for the Women's Prize for Fiction 2022.

Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying ill-fated passengers in a haunted car: a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River.

Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash-reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw-has charmed conversations with a mysterious figure he calls the "River Man," who somehow appears each time he goes there.

When Dash arrives unexpectedly at Nephthys's door one day bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face both the family she abandoned and what frightens her most when she looks in the mirror.

Creatures of Passage beautifully threads together the stories of Nephthys, Dash, and others both living and dead. Morowa Yejidé's deeply captivating novel shows us an unseen Washington, D.C., filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim themselves.

Shortlisted for the Edge Hill Short Story Prize, the Saboteur Awards, the Shirley Jackson Award and the Jhalak Prize. A startling debut short story collection from the award-winning author of Butterfly Fish. Okojie's collection of stories are captivating, erotic, enigmatic and disturbing. Irenosen Okojie's gift is in her understated humour, her light touch, her razor-sharp assessment of the best and worst of humankind, and her unflinching gaze into the darkest corners of the human experience. Okojie has created a world with errant Londoners caught between here and the hereafter, where insensitive men cheat on their mistresses and can only muster enough interest to fall for one- dimensional poster girls and where brave young women attempt to be erotically empowered at their own peril. Sexy, serious and at times downright disturbing, this brilliant debut collection sizzles with originality.

Set during Carnival in Haiti 1938, a young and beautiful woman named Hadriana drinks a mysterious potion on her wedding day and collapses at the altar. She is buried and later resurrected by an evil sorcerer and, as a zombie, enters the collective memory of her town of Jacmel. Hadriana's conversion serves as the inciting incident into an exploration of the strange and esoteric on the island, where Voodoo and Catholicism keep a symbiotic relationship, young women turn into zombies, young men turn into lascivious butterflies and nothing is quite what it seems.

Hadriana in All my Dreams is a frolic through mystery and eroticism that reveals vital truths about the nature of humanity.