Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

As seen in Grazia, the Guardian, and more...

Recognised as one of the most beloved fruits of the Black diaspora, Plantain holds profound value within the cultures and communities it is part of.

Compiled for the first time in one vibrant volume, A Quick Ting On: Plantain is an infectious cultural insight into the versatile fruit. Discover its contested historical origins, its multilingual etymology, the biochemistry that sets Plantain apart from regular bananas and, yes, the War of Pronunciation... Is it Plan-tain or Plan-tin?

Containing recipes from across the African continent, the Caribbean, Latin America and South Asia, author Rui Da Silva paints an astonishing international history of Plantain - celebrating food within Black households across the globe as an intimate marker of identity and culture.

From recent developments in farming practices to the effects of food gentrification on working-class Afro-Caribbean communities, Rui also explores the politics behind Plantain. Inflation, Fairtrade, and climate change all have a part to play in the ongoing journey of this coveted fruit.

Unifying stories of innovation, hardship and, above all, love, A Quick Ting On: Plantain is a delicious ode to the intersection of food, culture and humanity.

A reimagining of Shakespeare with a Caribbean twist!

Garrick takes Shakespeares's soliloquys and monologues and incorporates Jamaican Patois to make them relevant for a new age and audience. Inventive and engrossing, this collection is imperative and complimentary when teaching the canon.

Safe in their love, Tom and Naomi Barnes pursue their dream of family and prosperity as transplants to a London brimming with immigrants and opportunities. Tom works long hours for a super hedge fund and Naomi, while bringing up their boys, is commissioned by fellow prep school mum and immigrant Solange Wolf, to write her memoir. Solange's story of survival and triumph, from the slums in Haiti to becoming an executive with a Fortune 500 company, and inter-racially married to an equally successful man, has a profound effect on Naomi, herself a mixed-race transplant from Colombia married to a white British man full of ambition and potential. Everyone she knows back in Cartagena, including her own mother would kill for a marriage like hers.

As Tom grows in wealth and power, he assumes control over the direction of his family's life, including the direction of Naomi's. She feels herself shrinking into a cardboard cutout of herself, adorned in beautiful clothes, diamond jewelry, and all the trappings of money. She watches Tom create a life that has no need for her as a woman, only as a mother and trophy wife. When Tom tells her, he is voting Brexit to please his boss, Naomi finally decides to take action.

She heads to Solange's house where she finds a heartbroken Solange who declares that her husband has suddenly left her for a younger woman pregnant with his child. Despite the years of hard work, she implores Naomi to burn the manuscript, insisting her entire life has become a lie. With this rash request, Naomi starts to doubt not only Solange's grasp on reality but her own, and although the two women try to heal, their wounds run deep, and London, without the backing of powerful men, is now a strange and alienating backdrop against which they must redefine themselves.

Honey Fontaine has spent much of her adult life dodging her mother's attempts to marry her off, and has had enough. Her mother, having changed her own life by marrying into comfort and means, is determined to find a similar suitable match for her daughter, much to Honey's distress. At her wits end, Honey decides to enlist the support of Ashley Elliot, a well-off club owner and determined flirt, who will pretend to be Honey's man. Ashley is not Honey's usual type, but she finds herself increasingly drawn to him and what a relationship with him could be like. When the latest of her mother's picks proves to be unexpectedly attractive to her, Honey finds herself suddenly forced to have to make a choice. Stability or passion, comfort or risk? What will Honey do?