A story about family, politics and journeying through a fractured country in a delicate time, The Havoc of Choice explores the long reaching effects of colonisation and corruption within the context of a singular household and the disparate experiences of class and clan they encapsulate.

2007, Kenya. Long held captive by her father's shadow of corruption, Kavata has spent her life suffocated by political machinations. When her husband decides to run in the next election, these shadows threaten to consume her home. Unable to bear this darkness, Kavata plots to escape.

As her family falls apart, so too does her country. In the wake of Kenya's post-election turmoil, Kavata and her family must find their way back to each other across a landscape of wide-spread confusion, desperation, and heartrending loss.

One of the first pieces of long fiction from Kenya to explore its 2007 post-election violence (PEV) in such detail, The Havoc of Choice is a delicate and deeply personal attempt to understand the root of this spontaneous yet organised conflict and to figure out what healing looks like for the people of Kenya.

Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

Winner of the McKitterick Prize 2018.

"Never cover an assignment without collecting a brown envelope," Boniface had said. "It is a real life saver for all journalists in this country."

Ifiok, a young journalist working for the government radio station in Lagos, Nigeria, always aspires to do the right thing, but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption.

Building on the legacy of the great African satirist tradition of Ngugi Wa Thiongo and Ayi Kwei Armah, Radio Sunrise paints a sharp-tongued portrait of (post) post-colonial Nigeria.

A Dickensian tale of two young boys from opposite sides of the track who form a bond of brotherhood and friendship as they survive the streets of Lagos.

Temilola is a kind-hearted boy from the upper echelons of Nigerian society who wakes up alone in the middle of Lagos and discovers that he has lost his memory. He soon finds that this is the least of his problems, as he must now attempt to survive the dangerous streets of Lagos. Vipaar, who has been making a living as a hawker of random necessities on the streets of Lagos, finds Temilola and, after a violent first encounter, reluctantly takes him under his wing. They form a strong bond as they strive to make a meagre living selling mobile phone chargers to passing motorists on the dangerous highways of Lagos. The boys navigate the ruthless underbelly of Lagos and learn just how far they will go to protect themselves and each other. When tragedy strikes, their bond is broken and they are forced to separate from each other.

Will the two friends find each other again after they both face increasing brutality, pain and sorrow? Or will their destinies have diverged enough to tear them apart forever?

From the winner of the 2021 Chinua Achebe Prize for Literature...

Determined to overrule the Nigerian President, members of the powerful secret society, The Sacred Order of the Universal Forces, led by Chief Donald Amechi and Christian Evangelist Chris Chuba, employ a terrorist cell to carry out attacks in Northern Nigeria under the guise of forming an Islamic state.

Adeline, Chuba's daughter, and young Donaldo Amechi, the only son of the Chief, are desperate to hide their love affair from their parents. When the Chief discovers the relationship, Evangelist Chuba is ordered to sacrifice his daughter. Adeline goes missing, but when it is revealed that the men sent to kill her never reached their target, Chuba and Amechi are haunted by what really happened to the young girl.

Set against the backdrop of Nigeria's ongoing terrorism tensions and upcoming elections, Satans and Shaitans is a powerful story about love, politics, power, religion, terrorism, and corruption.