From Elephant and Castle to Southwark, from London Bridge to Westminster, Black History Walks takes you to historic locations around the city of London and gives in-depth historical context for each place, illuminating the presence of Black history throughout Britain's capital city.

In this guide, you'll get:
- Comprehensive coverage of historical places in London that have a relationship with Africa;
-How the most touristic attractions are actually hidden gems from Africa;
- Connections to places with African roots in this British metropolis;
- Walking tour routes that can be self-walked or done in tandem with the official Black History Walks tour.

WINNER of the James Tait Black Prize 2021 and The Republic of Consciousness Prize 2021.

As seen in Document Journal, Guardian and The White Review

Lush and frothy, incisive and witty, Shola von Reinhold's decadent queer literary debut immerses readers in the pursuit of aesthetics and beauty, while interrogating the removal and obscurement of Black figures from history.

Solitary Mathilda has long been enamored with the 'Bright Young Things' of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists' residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists' residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?

From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda's journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

The autobiography of Tippa Irie, Stick To My Roots tells the reggae musician's incredible story - from his trailblazing beginnings in Saxon Sound International to the Grammy Award-nominated "Hey Mama" with the Black Eyed Peas.

Titled after his 2010 hit single, the book will cover 40 years of Tippa's prestigious career: from the first sign of talent as a child in South London and family members encouraging him to enter local talent competitions, to making his first record and becoming the powerhouse and Reggae-scene legend he is now.

It's a story full of dreams, music and hope, but also the deep traumas and tribulations that Tippa experienced throughout his life.

Breaking the Maafa Chain chronicles two sisters' struggle for true freedom in the mid-nineteenth century, when transporting slaves from Africa to America was an illegal but lucrative business

Nineteenth century-Two sisters, Fatmata and Salimatu, are captured and sold separately into slavery. Forced to change their names to Faith and Sarah, they end up in two different countries with opposite slavery laws. Faith ends up in America, where slavery is still legal and slaves don't have any rights. Sarah ends up in a Victorian England and as the goddaughter of Queen Victoria. Can the two sisters reclaim their freedom and identity in a world that is trying to break them down and mold them to its coloniser's will?

Based on the true story of Sarah Forbes Bonetta, Breaking the Maafa Chain will take the readers on a journey of loss, survival, hope, identity and tradition.

On 24 May 1948, the Empire Windrush sailed from Kingston, Jamaica, to harbour at Tilbury Docks. It carried 1,027 passengers and some stowaways, and more than two thirds of them were West Indies nationals. On 22 June 1948 they disembarked onto the docks, Alford Dalrymple Gardner was among them. Alford's story traverses both the uplifting highs and intolerant lows that West Indian migrants of his generation encountered upon travelling to Britain to forge out a life. From joining the British military during World War II to returning to Jamaica once it was won-only to come back to the UK when the government decided it needed him again-Alford witnessed milestone events of the 20th century that shaped the country he still lives in today. In the context of a supposedly 'post-Imperial' Britain where the lives of West Indian migrants hang precariously on the whims of the Home Office, Alford's heartening testimony is a celebration of those who endured hardships so that generations to come could call this place home.