Afrobeats is a fast-growing genre, one that has carved out a distinct and powerful Black identity rooted within the African continent.

The first book of its kind, A Quick Ting On: Afrobeats chronicles the social and cultural development of the eponymous music genre, tracing its rich history from the African continent all the way to the musical centre of the Western world.

This exciting new book takes a unique look at the music of the African diaspora and their children, delving into how Afrobeats and its sub-genres have provided new articulations of Black identity and pride. It remembers the Afrobeats pioneers and memorable cultural moments, as well as investigating the impact of African migration, travel and modernisation on the genre.

A Quick Ting On: Afrobeats provides an insightful look at how Afrobeats became the explosive music genre it is today.

Evelyn Dove embraced the worlds of jazz, musical theatre and, most importantly, cabaret, in a career spanning five decades from the 1920s through to the 1960s. A black British diva with movie star looks, she captivated audiences and admirers around the world, enjoying the same appeal as the 'Forces Sweetheart' Vera Lynn throughout the Second World War.

Refusing to be constrained by her race or middle-class West African and English backgrounds, she would perform for infamous Russian leader, Joseph Stalin; become a regular vocalist for the BBC and a celebrated performer across continental Europe, India and the US.

At the height of her fame in the 1930s, she worked with the pioneers of black British theatre, replacing Josephine Baker as the star attraction in a revue at the Casino de Paris and scandalizing her family by appearing on stage semi-nude.

This is a celebration of an extraordinary career punctuated with vertiginous highs and profound lows, and places Dove in historical context with artists of her time, such as Adelaide Hall, Dame Cleo Laine and Dame Shirley Bassey.

From pirate radio to Glastonbury's Pyramid Stage, journalist and rapper Franklyn Addo pens an extraordinary narrative of the history, present and future of Grime music.

The influence of Grime on contemporary British culture is difficult to understate. From fashion trends and evolving language to potent political statements, Grime is a musical juggernaut that has reverberated far throughout British society. Chronicled for the first time in powerful literary prose, Addo intelligently documents the genre's cultural explosion and investigates how it became the voice of a generation.

A phenomenal insight into the captivating and electrifying genre that has taken the British music scene by storm, A Quick Ting On: Grime is an essential and long-awaited read for Stormzy aficionados and grime newcomers alike.

The untold story behind one of the most controversial album releases in modern music history, for fans of the Wu-Tang Clan, hip-hop music, and all those interested in the music industry. Take a kid with a dream. A legendary hip hop group. 6 years of secret recordings. A casing worthy of a king. A single artifact. Hallowed establishment institutions. An iconoclastic auction house. The world's foremost museum of modern art. A bidding war. Endless crises of conscience. An angry mob. A furious beef. A sale. A villain of Lex Luthor-like proportions. Bill Murray. The FBI. The internet gone wild. In 2007, the innovative Wu-Tang producer, Cilvaringz, feeling that digitisation increasingly supported the perception of music as disposable, took an incendiary idea to his mentor, hip hop legend, RZA: create a unique physical copy of a secret Wu-Tang album, to be encased in silver and sold through auction as a work of contemporary art. The plan raised a number of complex questions: Would selling one album for millions be the ultimate betrayal of music? How would fans react to an album that's sold on condition it could not be commercialised? And could anyone justify the ultimate sale of the album to the infamous pharmaceutical mogul Martin Shkreli? "An epic battle between colorful, creative maniacal heroes and one of the blandest beta-villains of our time. Couldn't put it down."Patton Oswalt, comedian and bestselling author of Silver Screen Fiend